I am starting a ongoing blog series which explores the relationship between photography and human vision. The aim is better understand the intricacies involved with the way we see before photographs are taken, the way cameras capture our vision, and the way we see photographs when they are displayed. This will help you make better images, Images which can better fulfill your original vision.

1) A photograph is as good as blank space unless its viewed, and to be viewed, human vision is involved.
2) The vast majority of photographs are made by capturing something already seen by a human’s eye. Or a vision of how the light will be captured if we manipulate the light captured. -Exceptions; Hubble telescope and blind photographers etc, but even these photographs are subject to #1

The human eye is the most important camera to consider when photographing, because without it an image is nothing. Can a photographer afford not to train the most important camera he’ll ever use?
A little warning, if you are to take these ideas to heart you will really start to change the way you see. You will find yourself being interrogated by the people around you; “What ARE you doing?” I was sitting at a restaurant eating sushi when I unconsciously started moving my head like a charmed snake, with one eye closed, as I examined how the light was refracting through frosted glass on the wall.

Foveas and Photographs Directory;

-Introduction to Foveas and Photographs

- Benefits of Stereo Vision You Didn’t Know About
- Controlling Your Viewer’s Perception
- Field of View
- LDR -Exploiting a Shallow Dynamic Range

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Don’t get me wrong, we all love doing it, but is there maybe too much of a good thing?

What about all those people who say ‘quality over quantity’? Must just be a cover up for people who don’t do it all the time for whatever reason. Or are they onto something? It’s not difficult to do it all the time if you have no standards.

I think we can all agree we have seen a lot of ‘McPictures’; high volume, low quality imagery. Often excessively processed because the original ‘creative ingredients’ weren’t good in the first place.
‘Too much’ is every time the act hasn’t been contemplated. ‘Too quick’ is every time details are ignored; ‘Oh i can fix that in PS’

Many now say best camera is the one thats with you, but more importantly the best pictures are the ones taken with purpose, intent, and forethought.

I’ll take a stand for what I believe; quality of quantity, wait for the right one at the right moment before you commit. Take time every time you do it, if its rushed it’ll never be as good.

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